Sounds of the frontiers

Ethnic minorities are found all over China. In the 1950s the new communist government dispatched teams to record minority music and dance, providing pure research and raw material for professional song and dance troupes. 

The Northwest

The Islamic ‘Uighurs’ from China’s far northwest Xinjian region are renowned for their music and dance traditions. Best known among these are the On ikki muqam; twelve classical song-and-dance suites. Instruments used include fiddles, plucked lutes (dutar, tanbur), dulcimer and the ass-hide drum (dap). Melodies are highly ornamented and generally built on a seven-note scale. 

Another famous northwestern tradition is the Hua’er song, prevalent among groups in Gansu, Qinghai and Ningxia. The songs have a wide melodic range and are usually sung unaccompanied informally outdoors or at large festivals.

Rough Guide to China (RGNET1285)

Interested in hearning the wonderful wealth of sounds from China? Enjoy World Music Network's exclusive Rough Guide to China. Explore the sounds of over a billion people - from the ancient tones of the erhu and pipa and the Inner Mongolian folk revival to original Shanghai jazz, Chinese Pop and the latest underground beats.

The Southwest

In Sichuan, Guizhou, and Yunnan provinces, there are minority groups living in remote, mountainous areas, and still preserving traditional musical culture. 

A recent discovery in Yunnan is the singing of rice-transplanting songs by the Hani people, in which men and women sing together; their voices entering successively to create a dense, microtonally coloured chordal effect.  

Better known are the antiphonal courtship songs and enormous Lusheng (mouth organs) of the Miao of Guizhou.

Shanren

Formed in Yunnan province of southwest China, Shanren, meaning ‘mountain people’, are becoming known for their eclectic style and promotion of Yunnan and Guizhou’s diverse heritage. The band use a mixture of original composition and re-workings of local folk melodies, alongside a variety of traditional instruments including the qinqin (plucked lute) and xianggu (drum).

Shanren - Left Foot Dance of the Yi

Shanren - Left Foot Dance of the Yi

   The mountains of south-western China have inspired the folk traditions of those living in their shadows for millennia. Now, Shanren follow their ancestors' footsteps with a mash of traditional Chinese folk and buzzing modernity on their infectious international debut Left Foot Dance Of the Yi.     Click here to listen/buy


The Rough Guide to Undiscovered World (RGNET909)

As well as featuring on The Rough Guide to China, Shanren's catch track '30 Years' features on The Rough Guide to Undiscovered World. This excellently eccentric Rough Guide is a whistle-stop tour of wild world music. The majority of music here is previously un-released, so you won’t hear this anywhere else, and it’s not worth missing. Enjoy everything from a trio of Romanian harmonica enthusiasts to a Zimbabwean-Brazilian jazz project, and more.


Central South and Southeast China

In the central south the Zhuang minority of Guangxi are known for their ‘song fairs’ at which young people get acquainted by singing love and question songs.

The Li of Hainan Island also have distinctive, though now declining musical traditions including a xylophone strung from a bamboo trestle or between trees, and the ‘pole’ dance in which girls rhythmically clap together bamboo poles while boys leap between.

The Northeast and Inner Mongolia

The largest minorities in the far northeastern provinces are the Manchu and the Koreans. Many Korean customs and musical styles have been preserved; and some Manchu still practice traditional shamanistic rituals, where magic drums and waist-bells are used for communication with the gods.

Nearly five million Mongols live in China. Their music is rich in variety, and instruments include bowed and plucked strings, flutes, jew’s harp and percussion.

Hanggai

Hanggai are at the forefront of a musical movement in China that is finding inspiration in native folk traditions. Blending Mongolian folk music with more modern styles such as punk rock, the Beijing based band use primitive throat-singing techniques (hoomei) along with traditional instruments such as horse-hair fiddles (morin khuur) and strummed two-stringed lutes (tobshuur).


Introducing Hanggai (INTRO111)

To enjoy more of Hanggai's distincitve sound, pick up World Music Network's groundbreaking album, Introducing HanggaiDowntown Beijing might seem a strange place for a Mongolian folk revival. Yet Hanggai are at the forefront of a musical movement in China that is finding inspiration in native folk traditions, drawing on a repertoire of magical songs that have all but disappeared during China's recent turbulent past.